Wednesday 19 December 2012

Storyboarding for final piece



What I'd previously learnt about storyboarding

  • Gives a good visual understanding to all the team on how the final piece will look
  • Helps see if the clips flow 
  • Can resolve any issues such as props in advance
  • Makes filming easier on the day with less planning having to be made on set
  • See if the narrative is shown in the way we want
  • Can see how long each shot should be held for
Mistakes I'd made

  • In the continuity task I didn't go into enough detail, this resulted in a poorer overall result as shots had to be thought out on the day of shooting 
Changes from the mistakes
  • As seen in the picture above my group and I went in a lot more detail when storyboarding for the final piece, the main adjustment being going into much more detail.
  • Were previously we only sketched out shots, it now contained the angle, length position of the camera and sound that will be accompanying it.
  • The product of going into this detail will hopefully be that of a better produced final piece. By considering all the little details now, when it comes to filming if all goes to plan it should result in a replica of what we have been drawing out.

Discuss the way ethnicity is shown in Hotel Babylon


 In Hotel Babylon ethnicity in shown in juxtaposing ways with both stereotypical and atypical approaches being offered.

The opening shot shows a black male dressed in a suit in a luxurious building. The suit he is wearing along with the location connotes that he is in a good job, which is atypical of the way young black males are portrayed in the media. His body language is also very relaxed and happy that again opposes the stereotypical view. The following shot shows him bumping into another black male who he appears to be friends with. The new male is dressed in colorful “board” shorts as he has just been in the pool but they suggest a lifestyle of relaxing and partying, which is reinforced by when he refers to having a party with “Ganja” and “Girls”. His accent is also a lot more colloquial compared to his compatriot’s accent, which is very much in Standard English. This could connote that the character in the board shorts embraces his ethnic background and is proud of his lifestyle. This could suggest that the character in the suit is trying to change his life to become successful and

This could suggest that the male in the suit is trying to move away from the stereotypical lifestyle that he may of once had, however the use of other the shoulder shots that shown when the characters are talking suggest that they are may still be similar even If e is trying to reform his life.

Other ethnicities shown in Hotel Babylon include an elderly oriental businessman who hires prostitutes in the form of two eastern European women who also work as maids, within the hotel. The elderly gentleman is portrayed in a stereotypical way of being quite sleazy paying for sex. The way this is suggested is through the use of close and long shots. Close ups of his eyes and brow show a perverted view and is reinforced by a long shot of him sitting in his dressing gown. 

The European maids are at first shown in a stereotypical way by being in poorly paid positions at the hotel, shown by the clothing they wear and the trolley they push. It is also shown they are willing to receive payment for sex the music that the man selects to play in the background for the women is also quite sleazy. The filmmakers make the sound the only audio within the clip which helps show the body language of the characters within the scene.
When one of the women finally talks, refusing to participate and walks out. The sudden cut from then music feels very tense and awkward for the characters. What the director creates in this scene is a scenario of which you would expect the stereotypical approach to take place but this is then flipped showing that the stereotype isn’t always correct.

Another European character is then introduced in the form of a chef. His movement and body language suggest that he is a very flamboyant and outgoing character shown by giving a kiss to his manager when they go into the kitchens. Further stereotypical approaches are shown by when the managers discuss the fact that he had slept with a colleague’s wife and the worried expressions on their face suggest that he could cause trouble.

British citizens are also presented within the clip with the introduction of two people who appear in middle management walking down a corridor. The suits they are dressed in suggest good jobs however the way the camera is positioned, following them down a corridor could connote that it is a dead end job and they will be stuck there. The way they talk is in a hushed voice, which also portrays the British stereotype of being not being confrontational.

A further oriental woman is also shown within the clip. She appears to have good job and be happy, dressed in a suit. However by carrying toilet roll and moaning about having to do so would suggest that the job is repetitive and dull.

Monday 17 December 2012

Continuity Task (First Draft)


In this cut we had the editing to how we wanted the clip to play out having planned the majority through storyboarding. The main concern with this was how the music doesn't fit with the narrative of the clip. Prior to filming the music and sound in general was something that we had considered and only when we came to editing and filming seriously though about it. This is an issue as in "thriller" as a genre sound is one of the key aspects often used to help set mode and tone as well as supporting the on screen action through a mixture of diegetic, non diegetic, foley and occasionally contrapuntal sound.

Saturday 15 December 2012

Shot list

Below is the shot list for our final product.

  • Long shot of the back of our protagonist facing a window
  • Close up of a bottle of alcohol and a glass, and our protagonist pouring liquid out of the bottle into the glass
  • Medium shot, the camera tracks round to a side view of the protagonist
  • Close up of the protagonist's face, as bring the glass towards her mouth
  • Extreme close up of protagonist drinking the drink
  • Extreme close up of the protagonist's eyes
  • Fade to a white screen
  • Fade to extreme close up of teachers eyes
  • Low angle, point of view shot of teacher telling the protagonist that her brother has gone missing
  • Fade to white screen
  • Close up of protagonist looking frustrated/ upset
  • Blurry/slightly out of focus point of view shot from the protagonist as she walks over to the desk
  • Medium shot of protagonist sat at the desk
  • Close ups/ Extreme close ups of the protagonists hands circling/underling words in articles, photographs, finishing drawings etc.
  • Cut to the title centralised on the screen
  • Long shot of the antagonist walking down some stairs
  • Medium shot of antagonist looking at his reflection in a mirror.

Continuity Editing Task - Storyboarding

In my previous lessons me and my group have learnt how important story boarding is, and how it will help us when we come to sketching ideas of what our final opening sequence will look like. From knowing this we knew how important it was to create a story board for our continuity task which we all will understand easily.  It is important that each of member of the group can understand and read the story board properly so that it will be easy to direct the actors.

Before we started our story board we had to find out what we needed to include such as:
  • Shot reverse shot
  • So NOT break the 180 rule
  • Variety of shots
  • Non diagetic sound
  • Interaction between two characters




















The main narrative we produced for this task was that of a student who attempts to steal a mark scheme and gets caught in the process. We believe that we can meet all of the specifications in this storyline and create an interesting piece.

The main thing I learnt from this task is that more detail should of gone into the planning of the storyboarding. The version we produced is quite vague and their is still a lot that is open to interpretation. Something we will have to improve on in future tasks. 






What I Learnt From The Continuity Task

By creating a continuity task we had a great opportunity to develop our storyboarding, camera skills and post production editing. By doing this task we had a chance to see what worked and what didn't and start to understand how completing our final piece would come around.

Storyboarding

Although we understood how storyboarding can help filmakers with putting ideas together, seeing if different shots will look ok or if adjustments would have to be made. We didn't go into enough detail and resulted in having discussions on the day of shooting about how continuity could be improved. We did have a basic understanding of what we wanted to produce however time was wasted when we had to think about extra shots that needed to be added in. The main thing I realised from this was that before filming planning is essential to getting a full day of successful filming and is something we should have a heavier focus on in the final task.

The storyboarding process was also rushed which resulted in us spending less time focusing on technical codes and conventions and more on the narrative. Although I believe it all came together in our final piece. When it comes to creating our real piece this is something that is going to have to be addressed by proper planning.

Filming

By getting hands on experience with the cameras was an invaluable experience. Good practises that we found out included watching the shot through the display screen before recording it. This makes you release if anything is out of place or missing. It also helps you realise the content around you and pick up on minute details such as the camera not being straight on the tripod, resulting in the ceiling being at a funny angle. By doing this the most important factor I learnt is to take time and look thoroughly around the shot not only through the camera but also through your eyes to ensure everything is how it is supposed to be. The other thing is that shots can always be retaken and it is better to spend a day on a few perfect shots compared to completing everything in one day with average shots.

Post Production

We got further experience using editing software (Adobe Premiere Pro) which is going to help us producing our task later. The best thing that we did as a group was give us enough time to edit comfortably. By filming early giving us a week to edit we were able to sit and watch what worked and what didn't making sure we were completely happy with out final result. Something we should repeat when it we start making our final piece


Monday 3 December 2012

First Attempt At Editing (Adobe Premiere Pro)

As part of the production side of the course I learnt some basic skills on Adobe Premiere Pro CS6. The skills I learnt included how to cut clips and audio, placing them into the correct sequence I required. The result of the work was the clip found below.


In this task we were given multiple clip along with a piece of music and then briefed to recreate an extract of a previous students work to the closest possible detail. Getting some hands on detail was something I really enjoyed as the technical side of the production is something that I prefer. I will continue to develop my skills with the hope of producing a product with great continuity and flow.

Learning how to edit is in someways more important that the camera work due to the fact if it is done poorly the viewer will often not know what is happening and result in a confusing or boring piece. The best pieces are the ones with the best continuity or flow. This is where all the cuts are seamless and result in a smooth easy to watch piece which is something my group and I would like to replicate. 


Storyboarding

When seeing Shaylaman talk on the importance of how storyboarding is such a vital part of production I thought it would be best to look into how it could help within our work. The arguments provided by Shaylaman included how the "visualisation" not only helps the director have a more defined idea, it helps all the production team and also picks up on anything that might result in problems. Simply seeing what shots will work together can help save a lot of time rather than doing repetitive takes repeatedly throughout a day where other shots could be made. Although some directors would prefer to see what shots work on the day. I personally believe that my group and I should try to plan as strictly as possible to prevent any errors occurring on the days of shooting. The main reason I'd suggest for this is so that we could get the timing, continuity and pace exactly how we would like it.

Latest Narrative


The key plot to our idea involves two siblings who where separated at a young age, this event drove the sister insane worrying and desperate to find her brother. The brother is then revealed to the audience now as a man living a happy life unaware of the issues his sister is facing. 

Below explains our idea in a more detailed form.
  • Opens with an establishing long shot of the female protagonist, centralised in the frame. Setting - in a dark room, low key lighting. 
  • Close up of her pouring the drink, body language should show signs of anxiety distress
  • Tilt up from her hands to an extreme close up of her eyes
  • Cut to white background and a non diagetic sound effect to establish a flashback
  • In the flash back the audience see's a point of view shot of the protagonist when she was told by a teacher her brother had gone missing. Approximately, this should last up to 3-5 seconds.
  • The whispering of the word "missing" is then repeated when the audience views a close up of the protagonist back in the room.
  • Titles will start to appear in different corners of the frame.
  • The non diagetic sound will start to play other the top of this.
  • The protagonist starts to act distressed and agitated this is shown through the close ups of her fidgeting with her hair and scratching her head. 
  • The atmosphere in the room builds as she starts to go through old papers and articles of her brothers disappearance.
  • The pace of the editing will increase through a series of close ups and extreme close ups of the props and the protagonist. She will be circling, underlining and ripping parts of old photos, newspaper and articles.This should last around 35-50 seconds.
  • The title then will appear on the screen. The sound would have built up throughout the scene until a loud noticeable note. This should last for around 3 seconds.
  •  The male antagonist will be firstly introduced with a medium shot of him stood infront of a mirror, doing up his tie. (Attempting to look "normal").
  • He will then turn towards and walk out of the front door picking up a brief case and shouting (positively) "Bye!" -  7-10 seconds.
  • Will then cut to an extreme long shot, of him leaving the house to establish the difference in location. Lighting should be brighter to help the scenes contrast the previous scene.

Revision of Ideas (no more Bollywood)

Although we liked the idea of "Bollywood" as a group we have come to the decision that we should drop this idea and continue developing our idea within western "Hollywood" style. The main reasons we came to this decision was that our understanding of the technical codes and conventions where not at the standard required to produce something of this magnitude. By completing the research we did undertake we have broadened our horizons on the many styles, genres and cultures that go into film making and by expanding our knowledge hope to produce a better overall project.

Conventions of Psychological thriller

As almost all of the research I looked into involved various conventions of Bollywood, we will now have to look towards the conventions of a psychological thriller. The key areas that i will focus on is;

  • Lighting
  • Pace of editing
  • sound
To start of with lighting. Many psychological thrillers incorporate lighting massively as the way it changes something can be enormous. The majority of psychological thrillers I've seen usually include a lot of dark scenes connoting danger, fear and the unknown. The use of darkness can also add to things being ambiguous, which in turn helps promote the aspect of tension (another convention of psychological thriller). Light can also be used to create interesting juxtapositions with one of the most famous being the difference between good and bad. If someone was shot with the mise-en-scene being very dark then the following showing someone in a bright light the normal decision would be that the person in the dark wasn't as "good" as the other. As we are going to be featuring at least two leading characters the light in which they are filmed at is something of importance.

The next key point that I see in psychological thrillers is that of the pace of editing. A lot of thrillers tend to use fast pace action which again helps build up tension something key to most plots. The best example I found showing the use of this "fast editing" including rapid cuts was the opening of se7en. This was a very effective title sequence as the speed of it created a lot of suspense. From our initial planning creating something to a similar effect is the desired goal where the skills on cutting will be tested.

The final point I'd like to raise regarding some of the research into psychological thriller is sound. The usual sound that would  found is one of strings, with an icreasing tempo untill reaching a climax. This sound is parallel as it meets the action on screen however one technique less broadly explored is using contrapuntal sound, where the music doesn't fit the action. An example of this would be playing dance music in a major key over the top of a murder. Famous example include the "ear scene" that is found within "Reservoir Dogs". To make this work it is harder however it's affect can be more memorable with the reader as its not what they expect.

There is many more codes and conventions to still research however as a basic addition to our knowledge I believe the three above to be the stepping stones to the start us of.

Monday 26 November 2012

Bollywood?



This article, written by BBC journalist Rajini Vaidyanathan discusses the change in Bollywood from the view of, romantic, performing art productions to a new breed of films which now challenges and confronts modern dilemmas rather than sticking to the previously used formula. Of course a key part of Bollywood is, and always will be the singing and dancing which if we do use an influence from Bollywood would be good to incorporate, but what this article says is that Bollywood accepts and will move on from the old style. This gives me confindence to progress with my groups idea as we had concerned the narrative wouldn't  fit into a Bollywood theme and that it now might do that.


"For decades, Bollywood cinema has stuck to a tried and tested formula - boy meets girl, parents object to the marriage, family is torn apart - a few fight scenes and dance routines later there is a happy ending."


Plot Development And How To Show The Bollywood Influence

Summary


The brother went missing a long time ago and his younger sister was so distrort by this it drove her insane. The brother was found but the protagonist could not accept how and why he went missing in the first place so she became mentally ill and ignores this information. We shall show her ripping pieces of newspaper articles and drawing on photos to show her distressed situation. After the title appears we will then show the brother looking smart and relaxed to convey the juxtaposition between both their lives. This will reinforce her obsession over him and how she is unable to deal with his disappearance. 

We have not decided on a detailed shot list yet, however, this is a rough idea of of the sequence of events in our opening.

  • Shots to introduce the title of the film company
  • Shots of the protagonist looking distressed and mentally unstable
  • The first scene will build to a climax which will cut to the title
  • The antagonist will be shot looking smart, and relaxed to contrast the opening scene and reinforce the juxtaposition between the two characters.
My group and I still have a lot to discuss and this includes how we are going to present certain ideas to the audinece through:

  • Costume
  • Lighting
  • Camera shots/angles
  • Editing
  • Mise-en-scene
  • etc.

Where Bollywood comes in

As talked about a lot in previous posts a "Bollywood" influence is something that we would like to incorporate and to do so would have develop the ideas seen above. 

Upon researching Bollywood one thing that I discovered was that with the mise-en-scene lots of candles are used and there is also an exaggerated use of diegetic sound with breathing, footsteps and clocks as well as other small features all often magnified. Religion almost always takes up some part of the productions such statues and refernces to the Gods are something frequently included. Most Bollywood films are made in Hindi the language spoken by predominantly poeple of the Hindu faith.

The costume is also one of the most iconic things of Bollywood with very elaborate, traditional costumes used for the females. Males often where traditional clothing however do sometimes where a modern western suit for some occasions depending on the narrative etc.

Performing art, music and dance is something that are common themes within Bollywood producitons. It would be hard to produce a dance as they often use large studies along with casts however music is something that we could use within our own and reflect the Bollywood influences. A possible idea that may not be used is that we still use music as a key theme however change it to western music. If we were to put it over the the screenplay when showing characters in Bollywood style clothing and also used the mise-en-scene to support it might be seen as contrapuntal sound as it is in reservoir dogs where the music doesn't match whats on screen.


Brainstrom


As seen below we decided to Brainstorm some ideas discussing the possibilities for our project. Bollywood aspects or influence is something we are thinking about using and may develop but we now need to look at in what way these can be supported.

One strong contender that came up from possible ideas was  a "Psychological Thriller" combined with themes of "Obsession". From this ideas such as unrequited love could emerge (love being a key aspect of Bollywood) other ideas included lost siblings as well as someone of suffered from hallucinations.


With regard to Unrequited love one of are main ideas was that someone had always had a love for someone since a young age and was to afraid or nervous to ever approach them. This could then lead on to obsession and the consequences of seeing the person they love with other partners. Although in a context of a Bollywood storyline this could work and would definitely help show our influence it may struggle to fit into other key areas such as the "psychological.

This is where our next idea fits into a more "psychological" theme. As children two siblings were separated driving the other insane whereas the other seems relatively unaware and ok. We believe that when developed could make a great psychological plot however lacks the Bollywood influence we wish to use.

Sunday 25 November 2012

Extended Research on Bollywood

Bollywood Codes and Conventions

  • Dominance of one or two actors (Usually a male and female)
  • Using other forms of performance art such as playing an instrument, singing and dancing
  • The presence of a religious figure that all the characters believe in, such as a God or Deity
  • Romance is the main plot or subplot in the story (This might include love triangles)
  • Large studio sets with elaborate design and decoration
  • Films are usually set in Mumbai, India (However, some popular Bollywood films have been set in western cities such as New York City, and London
  • Authentic and elaborate costumes, such as traditional clothing (i.e. saris and dresses)
  • Other key themes include; melodrama, obsession, and kidnappings.
There are also some traditional gestures and symbols used in Bollywood films such as:



  • Seeing someone tug on their ears – When someone tugs on their ears it is usually seen as an apology and the quivalent of saying sorry.

  • Seeing someone touch another person’s feet - According to Hindu theology feet are the most polluted part of the body because they are the closet body part to the ground. So when a person touches someone else's feet it is a sign of great respect because they are honoured and touching their feet is a privilege.

  • Someone waving their hands over another person’s head - Usually a person will do this to a bride. They will wave their hands over the bride and then make fists of their hands and crack their knuckles on each side of their own head. Whoever does this takes on any evil that may be sent toward the bride.

  • A woman wearing red dye in her parting - This red dye is called vermillion and when a woman wears it in her parting, it signifies that she is married and her husband is still alive.

  • Kohl is placed on someone’s cheek - When someone looks strikingly beautiful it is assumed that they will attract a lot of jealousy. Therefore, a black dot (kohl) is placed on their face as a blemish to ward off jealousy of a person's perfection.
  • When someone presses their palms together - When two characters first meet, one of them will press their palms together and say “Namaste.” This is equivalent to the American/English handshake because it shows the possession of manners. However, it holds a higher level of respect than shaking hands.

Evaluation

By using some of the conventions as seen above they would help create a more authentic production which would be recognised by fans of Bollywood and also bring a new audience in showing them examples of a different cultures. With them also being standard ways of communication it can't be seen as cliched as it is a way of life for many people.