Monday, 21 January 2013

Filming: Shoot 1

Yesterday saw our first attempt of filming although this was largely successful there was a few problems that came up. The first of which was the weather which prevented one of the actors not being able to attend the shoot. The weather also contributed on the light being difficult to record in some angles. We responded by adjusting the camera to gain advantage from the conditions. Some of the things that went well included being well organised and by having a detailed storyboard made the transition of shots much easier. We are going to have to do some more filming due to the actor who was unavailable but should the weather permit will be no problem.

The main things I learnt from this experience is to have good communication with your group so if issues arise a logical solution can quickly be resolved. The final thing and most important is that organisation is essential. This means that a detailed shooting schedule should be made along with storyboards prior to the day filming.


















Monday, 14 January 2013

Shooting Schedule

As we found out in our continuity task, planning is essential to suscsess. To help maximise this we planed ahead a shooting schedule to help us work efficiently. Some aspects we had to think about when planning was how the outside lighting may affect a shot in the narrative, because of this we wont be filming our scenes in the chronological order they will be seen in the final cut.


Wednesday, 9 January 2013

Actors and Actresses: Protagonist 1


The image on the left shows our leading protagonist (Cindy Sidhu). We originally requested her to work with us due to the fact she fits into the age bracket of our target market. Targeting people aged between 15-21 we felt it would be suitable to use a cast of people that age so that the viewers can relate and emphasise with the people on screen. The second reason we requested Cindy was that our first ideas was to incorporate a Bollywood film with western conventions. We felt it would be appropriate to select a cast which came from an Asian ethnicity as we believed it would create a more accurate portrayal of the Bollywood influence. Although we are no longer using this idea due to issues with some of the technical codes of Bollywood we still find Cindy to be a more that suitable candidate for the role we require. Aspects such as her dark hair are important as we feel it fits the characters depressive and psychologically unstable temperament by also having acting experience Cindy is our select protagonist.


How lighting is used in Thrillers

I believe lighting is one of the most important factors to consider when we start filming and is something that is often overlooked.


Se7en (see above) is one of the films we have identified as a product we would like to take influence from. Throughout there title sequence the use of shadow and darkness is very important. By starting with out of focus hands that are in shadow not clearly shown suggests what have they been up to or capable and gives a sense of ambiguity. The theme of darkness continues when the titles are introduced with a black backdrop, the colour black can connote death and evil. Some bits where the lighting does change is where photos are developed in a room lit with red lights. The colour red can also connote blood however could equally suggest passion but in the context would most likely be the first.

This style isn't unique purely Se7en as the opening of the Requiem of a Dream shows. Although it isn't used quite as heavily as Se7en it does feature heavily and certainly effects the tone and mood. The opening two shots in particular are the most important in my mind as by starting up with a shady character the audience is immediately guessing of why the are in the darkness? and why had their identity been hidden. Requiem of a Dream does juxtapose with Se7en as later on characters are shot in brightly lit streets however the juxtaposition betwen the two styles only increases the affect that they produce.

How can I apply features into my project?

By watching these two openings what I have learnt includes the following; Sometimes by not revealing a character fully in the opening minutes can help keep the viewer interested and engaged trying to work out how they are or what they might be doing, and also how mood can easily be altered depending on how well lit something is.

Wednesday, 19 December 2012

Storyboarding for final piece



What I'd previously learnt about storyboarding

  • Gives a good visual understanding to all the team on how the final piece will look
  • Helps see if the clips flow 
  • Can resolve any issues such as props in advance
  • Makes filming easier on the day with less planning having to be made on set
  • See if the narrative is shown in the way we want
  • Can see how long each shot should be held for
Mistakes I'd made

  • In the continuity task I didn't go into enough detail, this resulted in a poorer overall result as shots had to be thought out on the day of shooting 
Changes from the mistakes
  • As seen in the picture above my group and I went in a lot more detail when storyboarding for the final piece, the main adjustment being going into much more detail.
  • Were previously we only sketched out shots, it now contained the angle, length position of the camera and sound that will be accompanying it.
  • The product of going into this detail will hopefully be that of a better produced final piece. By considering all the little details now, when it comes to filming if all goes to plan it should result in a replica of what we have been drawing out.

Discuss the way ethnicity is shown in Hotel Babylon


 In Hotel Babylon ethnicity in shown in juxtaposing ways with both stereotypical and atypical approaches being offered.

The opening shot shows a black male dressed in a suit in a luxurious building. The suit he is wearing along with the location connotes that he is in a good job, which is atypical of the way young black males are portrayed in the media. His body language is also very relaxed and happy that again opposes the stereotypical view. The following shot shows him bumping into another black male who he appears to be friends with. The new male is dressed in colorful “board” shorts as he has just been in the pool but they suggest a lifestyle of relaxing and partying, which is reinforced by when he refers to having a party with “Ganja” and “Girls”. His accent is also a lot more colloquial compared to his compatriot’s accent, which is very much in Standard English. This could connote that the character in the board shorts embraces his ethnic background and is proud of his lifestyle. This could suggest that the character in the suit is trying to change his life to become successful and

This could suggest that the male in the suit is trying to move away from the stereotypical lifestyle that he may of once had, however the use of other the shoulder shots that shown when the characters are talking suggest that they are may still be similar even If e is trying to reform his life.

Other ethnicities shown in Hotel Babylon include an elderly oriental businessman who hires prostitutes in the form of two eastern European women who also work as maids, within the hotel. The elderly gentleman is portrayed in a stereotypical way of being quite sleazy paying for sex. The way this is suggested is through the use of close and long shots. Close ups of his eyes and brow show a perverted view and is reinforced by a long shot of him sitting in his dressing gown. 

The European maids are at first shown in a stereotypical way by being in poorly paid positions at the hotel, shown by the clothing they wear and the trolley they push. It is also shown they are willing to receive payment for sex the music that the man selects to play in the background for the women is also quite sleazy. The filmmakers make the sound the only audio within the clip which helps show the body language of the characters within the scene.
When one of the women finally talks, refusing to participate and walks out. The sudden cut from then music feels very tense and awkward for the characters. What the director creates in this scene is a scenario of which you would expect the stereotypical approach to take place but this is then flipped showing that the stereotype isn’t always correct.

Another European character is then introduced in the form of a chef. His movement and body language suggest that he is a very flamboyant and outgoing character shown by giving a kiss to his manager when they go into the kitchens. Further stereotypical approaches are shown by when the managers discuss the fact that he had slept with a colleague’s wife and the worried expressions on their face suggest that he could cause trouble.

British citizens are also presented within the clip with the introduction of two people who appear in middle management walking down a corridor. The suits they are dressed in suggest good jobs however the way the camera is positioned, following them down a corridor could connote that it is a dead end job and they will be stuck there. The way they talk is in a hushed voice, which also portrays the British stereotype of being not being confrontational.

A further oriental woman is also shown within the clip. She appears to have good job and be happy, dressed in a suit. However by carrying toilet roll and moaning about having to do so would suggest that the job is repetitive and dull.

Monday, 17 December 2012

Continuity Task (First Draft)


In this cut we had the editing to how we wanted the clip to play out having planned the majority through storyboarding. The main concern with this was how the music doesn't fit with the narrative of the clip. Prior to filming the music and sound in general was something that we had considered and only when we came to editing and filming seriously though about it. This is an issue as in "thriller" as a genre sound is one of the key aspects often used to help set mode and tone as well as supporting the on screen action through a mixture of diegetic, non diegetic, foley and occasionally contrapuntal sound.